'A golden square on a white square', 2012, gouache on paper, 50 x 50 cm


'4 coloured squares on a white one', 2012, gouache op paper 50 x 50 cm


'4 small coloured squares on a big white one, # 4', 2012 pen on paper 50 x 50 cm


'A scattered brown square on a white one #1, 2012 gouache on paper 50 x 50 cm


'4 brown quadrants on a white square', 2012 52 x 52 cm


'A multicoloured square (9 small squares) on a white one #4', 2012 gouache on paper 54 x 54 cm


'A black square on a white one', 2012 gouache on paper 50 x 50 cm


'A multicoloured square on a white one #1', 2012 gouache on paper 50 x 50 cm


'A multicoloured square on a white one #2', 2012 gouache on paper 50 x 50 cm


'A blue square on a brown one', 2012 gouache on paper 50 x 50 cm


'4 x 9 small squares cut in 2 on a white square', 2012 gouache on paper 53 x 52 cm


'A blue square, divided in (parts of) circles, on a white one', 2012 gouache on paper 50 x 50 cm


'A multi-coloured square, divided in 9 equal amounts of colour, on a twice bigger white square', 2012 gouache on paper 50 x 50 cm


'A half white and half multi-coloured square on a white one', 2012 gouache on paper 54 x 54 cm

2012 Intuition after calculation / square on square

'Intuition overrules calculation'

In search of the role of intuition and calculation in art form I take in some cases two squares of the same seize, a white one and a coloured one. The coloured one is cut in (equal or unequal) parts and put intuitively on the white square. In other cases I take one or more quadrants of a square in combination with the same square. The proces starts with calculation and ends with intuition.